Humboldt-Universität zu Berlin - Sprach- und literaturwissenschaftliche Fakultät - Nordeuropa-Institut

Tagungsprogramm

 
 

[Stand: 18.9.01]

Thursday, 20.9.2001

10.00 Registration
Senatssaal, Main building of the Humboldt-University
11.00-
13.00
Guided City Walk – in English
„Berlin as the New Capital"
12.30 Lunch Break
14.30 Welcoming
Senatssaal, Main building of the Humboldt-University
15.00 -
17.00
Plenary session

Heitmann, Annegret (München):
Fordringsägare and/as media studies

Streisand, Marianne (Berlin): 
Strindbergs Entwurf einer ‚Ästhetik der Intimität’ und ihre Realisierung beiMax Reinhardt
18.30 Bus Transfer to Dahlem
19.00 Reception at the Residence of the Swedish Ambassador

 

Friday, 21.9.2001

  Section 1: Intermediality Section 2: Self-portrayal andAdoptation
9.00  Fechner-Smarsly, Thomas (Bonn): Imaging the Black Box: August Strindberg´s media experiments and the investigation of the self in psychology, physiology, and art around 1900 Martinus, Eivor (London):
Strindberg Indirect
9.30  Hockenjos, Vreni (Stockholm):
In an Instant: On Strindbergian Snap Shot Aesthetics 
Peters, Ulrike (Ann Arbor):
If the World was in Order there was no Drama. The Adjustment of Reality to Writing and vice versa
10.00 Schröder, Stephan Michael (Berlin):
Strindberg and Cinematography Revisited
Gerecke, Anne-Bit (Kiel):
Inszenierte und unterlaufene Autorschaft im Medienwechsel
10.30

Tea and Coffee Break

11.00 Walczak-Andersen, Ewa (Kopenhagen):
Wandering EyeTill Damaskus along
Stora landsvägen
Rasborg, Finn (Holte):
Strindberg’s Self-Exposing to the Public and the Media in Denmark 1887-1889
11.30 Grage, Joachim (Göttingen):
Musik als Medium in Strindbergs Kammarspel
Lide, Barbara (Houghton, MI):
En dåres försvarstal: Strindberg's Self-Portrayal and May Lundqvist's Adaptations
12.30

Lunch Break

  Section 1: Intermediality (continuation) Section 3: Strindberg on Stage

14.30
van der Liet, Henk (Amterdam):
From Novella to One-Act-Play: Ola Hansson’s Parias and August Strindberg’s Paria
Steene, Birgitta (Bromma): 
Appropriating Strindberg before 1000 eyes. A multi-national response to Ingmar Bergman's staging of A Dreamplay
15.00 Bukowski, Piotr (Krakow): 
Über die Mehrdimensionalität der Goethe-Rezeption in Strindbergs Spätwerk (1940-2000)
Clausen, Jørgen (Pisa):
The Role of the Media in Strindberg’s Spöksonaten
15.30 Balzamo, Elena (Chartres):
Strindberg and his (Inter)media: The Publishers
Törnquist, Egil (Amsterdam): 
Strindberg on Page and Stage.
16.00 Tea and Coffee Break Dalenstam, Ulrika (Lund):
The Ghost Sonata in Two Floors – a Young Interpretation in an Old Factory

 

Saturday, 22.9.2001

  Section 4: Contemporary Discourses Section 5: Strindberg and Painting
9.00 Stenport, Anna Westerståhl (Berkeley/CA): 
Inventing a New Stockholm: Strindberg's Gamla Stockholm and the construction of metropolitan space.
Lund, Hans (Lund):
Strindberg and Laokoon
9.30 Cavallin, Anna (Stockholm):
Strindberg and the New Woman. The Representation of Gender in Media
Carlson, Harry G. (East Hampton, NY):
Painter/Writer Strindberg and the Visual Impact of Germany/Austria
10.00 Olsson, Ulf (Norrköping):
Going Crazy. August Strindberg, the Telephone and ‘Der Doppelgänger’
Petri, Grischka (Bonn):
Kunst als Traumspiel– Strindbergs prozessuale Ikonographie
10.30

Tea and Coffee break

11.00  Bourguignon, Annie (Nancy):
Die Poetik der Reportage bei Strindberg 
Marmus, Roger (Nancy):
"...från kupéfönstret under full fart." Landskapsmålning i rörelse i Bland franksa bönder
11.30 Balbierz, Jan (Krakow):
Strindbergs fotografier – astronomi, alchemi och mimesis
Söderström, Göran (Lund):
Strindbergs Berlin tid 1892-93
12.00   Grimal, Sophie (Strassburg):
The Interrelation of Narration and Artistic Representation in Strindberg’s Paintings and Experimental Essays of the Mid 1890’s
13.00

Lunch Break

14.30 Guided Tour through Friedrichshagen,
ca.18.30 Banquett and Musical Performance

 

 

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