[Stand: 18.9.01]
Thursday, 20.9.2001
10.00 |
Registration
Senatssaal, Main building of the Humboldt-University |
11.00-
13.00 |
Guided City Walk – in English
„Berlin as the New Capital" |
12.30 |
Lunch Break |
14.30 |
Welcoming
Senatssaal, Main building of the Humboldt-University |
15.00 -
17.00 |
Plenary session
Heitmann, Annegret (München):
Fordringsägare and/as media studies
Streisand, Marianne (Berlin):
Strindbergs Entwurf einer ‚Ästhetik der Intimität’ und ihre Realisierung beiMax Reinhardt |
18.30 |
Bus Transfer to Dahlem |
19.00 |
Reception at the Residence of the Swedish Ambassador |
Friday, 21.9.2001
|
Section 1: Intermediality |
Section 2: Self-portrayal andAdoptation |
9.00 |
Fechner-Smarsly, Thomas (Bonn): Imaging the Black Box: August Strindberg´s media experiments and the investigation of the self in psychology, physiology, and art around 1900 |
Martinus, Eivor (London):
Strindberg Indirect |
9.30 |
Hockenjos, Vreni (Stockholm):
In an Instant: On Strindbergian Snap Shot Aesthetics |
Peters, Ulrike (Ann Arbor):
If the World was in Order there was no Drama. The Adjustment of Reality to Writing and vice versa |
10.00 |
Schröder, Stephan Michael (Berlin):
Strindberg and Cinematography Revisited |
Gerecke, Anne-Bit (Kiel):
Inszenierte und unterlaufene Autorschaft im Medienwechsel |
10.30 |
Tea and Coffee Break
|
11.00 |
Walczak-Andersen, Ewa (Kopenhagen):
Wandering EyeTill Damaskus along
Stora landsvägen |
Rasborg, Finn (Holte):
Strindberg’s Self-Exposing to the Public and the Media in Denmark 1887-1889 |
11.30 |
Grage, Joachim (Göttingen):
Musik als Medium in Strindbergs Kammarspel |
Lide, Barbara (Houghton, MI):
En dåres försvarstal: Strindberg's Self-Portrayal and May Lundqvist's Adaptations |
12.30 |
Lunch Break
|
|
Section 1: Intermediality (continuation) |
Section 3: Strindberg on Stage |
14.30 |
van der Liet, Henk (Amterdam):
From Novella to One-Act-Play: Ola Hansson’s Parias and August Strindberg’s Paria |
Steene, Birgitta (Bromma):
Appropriating Strindberg before 1000 eyes. A multi-national response to Ingmar Bergman's staging of A Dreamplay |
15.00 |
Bukowski, Piotr (Krakow):
Über die Mehrdimensionalität der Goethe-Rezeption in Strindbergs Spätwerk (1940-2000) |
Clausen, Jørgen (Pisa):
The Role of the Media in Strindberg’s Spöksonaten |
15.30 |
Balzamo, Elena (Chartres):
Strindberg and his (Inter)media: The Publishers |
Törnquist, Egil (Amsterdam):
Strindberg on Page and Stage. |
16.00 |
Tea and Coffee Break |
Dalenstam, Ulrika (Lund):
The Ghost Sonata in Two Floors – a Young Interpretation in an Old Factory |
Saturday, 22.9.2001
|
Section 4: Contemporary Discourses |
Section 5: Strindberg and Painting |
9.00 |
Stenport, Anna Westerståhl (Berkeley/CA):
Inventing a New Stockholm: Strindberg's Gamla Stockholm and the construction of metropolitan space. |
Lund, Hans (Lund):
Strindberg and Laokoon |
9.30 |
Cavallin, Anna (Stockholm):
Strindberg and the New Woman. The Representation of Gender in Media |
Carlson, Harry G. (East Hampton, NY):
Painter/Writer Strindberg and the Visual Impact of Germany/Austria |
10.00 |
Olsson, Ulf (Norrköping):
Going Crazy. August Strindberg, the Telephone and ‘Der Doppelgänger’ |
Petri, Grischka (Bonn):
Kunst als Traumspiel– Strindbergs prozessuale Ikonographie |
10.30 |
Tea and Coffee break
|
11.00 |
Bourguignon, Annie (Nancy):
Die Poetik der Reportage bei Strindberg |
Marmus, Roger (Nancy):
"...från kupéfönstret under full fart." Landskapsmålning i rörelse i Bland franksa bönder |
11.30 |
Balbierz, Jan (Krakow):
Strindbergs fotografier – astronomi, alchemi och mimesis |
Söderström, Göran (Lund):
Strindbergs Berlin tid 1892-93 |
12.00 |
|
Grimal, Sophie (Strassburg):
The Interrelation of Narration and Artistic Representation in Strindberg’s Paintings and Experimental Essays of the Mid 1890’s |
13.00 |
Lunch Break
|
14.30 |
Guided Tour through Friedrichshagen, |
ca.18.30 |
Banquett and Musical Performance |
|
Tagung
Tagungsprogramm
Unterbringung
Lageskizze
Tagungsgebühren
Rahmenprogramm
Strindbergiana
Startseite
Kontakt
|